Junior Blue
Junior Blue
Image size 24 x 36, Canvas wrapped giclée, Limited Edition of 75.
Portrait of a Young Great Blue Heron ~ Creating a Likeness!
This bird is etched in my memory. It wasn’t the easiest of birds to photograph. In fact, you could say I went way out on a limb to photograph him. Actually, it was a very narrow long pier, maybe a foot wide that went out over the water about 20 feet to a tall piling at the end. The young Great Blue Heron was 15 feet beyond that on top of a stand-alone piling in the water.
I had my good camera with my zoom lens and I was dressed to go to dinner with some friends. I could get fairly close from the main dock, but if I were to walk the narrow part of the pier I’d be really close. This would require extremely good balance and some nerve! I wasn’t feeling confident and the consequences of falling were unthinkable. :)
If I succeeded in walking the plank and taking the close-up shots I desired, then I’d have to turn around and perform a balancing act all the way back. I chose to go for it! A few wobbles along the way led to wondering if I’d done the right thing. I made it to the end of the pier and proceeded to take dozens of pictures as the bird showed no sign of being afraid or of flying off.
In fact, it dozed off here and there while on one leg. I have pictures of him with his eyes closed, and also with his head tucked way into his body. The sun would shine a little brighter and he would wake up and look around. It appeared to be hunkered down for the evening.
The Great Blue Heron was a young bird, as indicated by his immature coat of feathers and color pattern. Young herons have a black/gray top of the head and an overall brownish/gray pattern to its neck and shoulder feathers. The large primary and secondary feathers have whitish tips to them. The upper beak in a young bird has dark grays and blacks for the most part.
My recent painting entitled The Great One is a good example of what a mature Great Blue Heron looks like in comparison to an immature bird like this one.
After holding onto the end piling and taking way too many pictures, I knew I had to leave to be on time for dinner. I inched my way back to dry land, one step in front of the other, heal to toe, praying the whole time that I didn’t ruin everything by falling sideways into the murky, brown saltwater.
I made it unscathed! I’ve always enjoyed looking back at my photographs of this handsome bird and recalling the efforts I made to get close enough to capture all of the detail in the bird’s feather patterns.
When I decided it was time to paint him, I knew I wanted to include as much detail as necessary to create a likeness. I wanted to be able to look at my painting and have it take me back to the end of that pier.
I enjoyed working on a large scale (24” by 36”), painting in the detail, and looking for subtle changes in color or feather patterns that help identify this particular bird.
I’ve decided to call this painting Junior Blue. He is the son of a Great Blue Heron, handsome, alert, and looks a lot like his father when he was of similar age. :)
Portrait of a Young Great Blue Heron ~ Creating a Likeness!
This bird is etched in my memory. It wasn’t the easiest of birds to photograph. In fact, you could say I went way out on a limb to photograph him. Actually, it was a very narrow long pier, maybe a foot wide that went out over the water about 20 feet to a tall piling at the end. The young Great Blue Heron was 15 feet beyond that on top of a stand-alone piling in the water.
I had my good camera with my zoom lens and I was dressed to go to dinner with some friends. I could get fairly close from the main dock, but if I were to walk the narrow part of the pier I’d be really close. This would require extremely good balance and some nerve! I wasn’t feeling confident and the consequences of falling were unthinkable. :)
If I succeeded in walking the plank and taking the close-up shots I desired, then I’d have to turn around and perform a balancing act all the way back. I chose to go for it! A few wobbles along the way led to wondering if I’d done the right thing. I made it to the end of the pier and proceeded to take dozens of pictures as the bird showed no sign of being afraid or of flying off.
In fact, it dozed off here and there while on one leg. I have pictures of him with his eyes closed, and also with his head tucked way into his body. The sun would shine a little brighter and he would wake up and look around. It appeared to be hunkered down for the evening.
The Great Blue Heron was a young bird, as indicated by his immature coat of feathers and color pattern. Young herons have a black/gray top of the head and an overall brownish/gray pattern to its neck and shoulder feathers. The large primary and secondary feathers have whitish tips to them. The upper beak in a young bird has dark grays and blacks for the most part.
My recent painting entitled The Great One is a good example of what a mature Great Blue Heron looks like in comparison to an immature bird like this one.
After holding onto the end piling and taking way too many pictures, I knew I had to leave to be on time for dinner. I inched my way back to dry land, one step in front of the other, heal to toe, praying the whole time that I didn’t ruin everything by falling sideways into the murky, brown saltwater.
I made it unscathed! I’ve always enjoyed looking back at my photographs of this handsome bird and recalling the efforts I made to get close enough to capture all of the detail in the bird’s feather patterns.
When I decided it was time to paint him, I knew I wanted to include as much detail as necessary to create a likeness. I wanted to be able to look at my painting and have it take me back to the end of that pier.
I enjoyed working on a large scale (24” by 36”), painting in the detail, and looking for subtle changes in color or feather patterns that help identify this particular bird.
I’ve decided to call this painting Junior Blue. He is the son of a Great Blue Heron, handsome, alert, and looks a lot like his father when he was of similar age. :)